Henry VIII’s Candy Land and Dancing With the Brits

We first spot the garden of Hampton Court from the window of one of its grand staterooms. It beckons us. We’ve already passed through Henry VIII’s Great Hall lined with fading floor-to-ceiling tapestries, site of great dinners where plenty of wine was poured and the gossip of the day flowed. With six wives, there would have been plenty of gossip. The pride of the palace were its privies, aka toilets, in each guest apartment and conveniently located throughout. An internal toilet meant the height of luxury in those days. Portraits tell the tale of Henry’s many marriages in the quest for a male heir, while a stunning chapel with gilded ceilings and a balcony for the royals to kneel on plush red pillows reveals Henry’s devoutness despite his break with Rome.  We visit the kitchen, which really is more like several houses–one room dedicated to pies, another to bread and yet another devoted to the roasting of meat. Much of the palace appeared to be dark and at other times light shown through in the most unexpected places.

 It is too gorgeous outside to be closed in with ancient relics, so we answer the garden’s call. We stand for a moment to take it all in –the trees are the most whimsical shape, like gum drop trees, and the bushes are shaped like Hershey’s Kisses. With the colorful patches of flowers, it looks like we’ve stepped into Candy Land.  It would be the perfect place for a garden party. The grass is so soft and lush under foot that you want to drop to your knees and lie down for a while. Some folks have succumbed to the urge and lay prone staring up at billowy white clouds. The setting inspires a photo shoot and Ugo and I snap shots of one another under trees, next to multicolored flowerbeds and near classical sculptures. When we think we have enough shots worthy of Vogue or Harper’s Bazaar, we walk into town for tea and cake.

 

 

After a quintessential British day in the country, we return to the city to the London Bridge area. Standing on London Bridge, you think you could be standing on any random urban bridge in the States. Only the very modern sign on the bridge tells you that you are standing on the famed bridge from the schoolyard song.  Beyond the London Bridge is the Tower Bridge, looking more like a postcard for the city. I want to check out the Burough Market, which is nearby, but we’ve just missed it and see merchants packing up their wares and cleaning their stalls. I can only image what it would have been like with bustling crowds. So, we circle back to the London Bridge to walk along the Queen’s Walk, a scenic promenade along the South Bank of the Thames that stretches between the Lambeth Bridge and the Tower Bridge. There’s lots of activity along the walk on a Friday evening as Brits gather at pubs facing the Thames. Couples stroll hand in hand and tourists pose for pics in front of the Tower Bridge. As we walk, the crowd starts to thicken and we start to hear music playing. It sounds like a Michael Jackson song, so I am immediately drawn towards the bumping bass. But Ugo calls out and asks if I’m seeing what’s around me. We are standing in the middle of a photography exhibit.  The photos depict life rituals from around the world—weddings, funerals, births, even circumcision. A woman in Palau breast feeds her newborn baby in one photo; in another a man in Ethiopia leaps naked over bulls to prove that he is a worthy husband to his soon-to-be bride; and in yet another a Turkish family looks on as their young, festively-dressed, son bravely withstands a circumcision. It’s provocative and truly illustrates its point, which is that we are more alike than different.

 I can tell this fact is true as we turn our attention to the pool of dancing Brits just beyond the exhibit. They’ve been captivated by the music we heard earlier too. It’s a free open air concert at the Scoop at MoreLondon, a sunken concrete concert space in front of London’s City Hall. It reminds me of how DC’s hip crowd fills each corner of the Hirshorn’s Sculpture Garden for its Friday night concert series. At the Scoop some have brought their own libations, coolers packed with wine bottles. An older white gentleman in a fedora and shiny gray suit moves effortlessly to the beat, while not far off a rhythmless black Brit bounces off beat. A couple down below show-off their near perfect salsa moves to the pop tunes. It is a diverse crowd blowing off steam after a long week. The band goes through Michael Jackson’s song book hitting much of the “Off the Wall” and “Thriller” albums, before moving on to popular Duffy and Rhianna songs. Finally, the lead singer encourages the crowd to get to know each other like a preacher encouraging his parishioners to give praise and hug and greet each other during a church service. I introduce myself to a black British woman sitting in front of us. Her name is Anne-Marie. She asks about my accent and I tell her I’m from America and she tells us that there are concerts at the scoop during lunch and in the evenings. The band we are listening to are a popular group called the All-Stars. We talk about music a bit. They mention music that I don’t know and I tell them that they should check out Raphael Saadiq at Camden Town on Sunday. The band swings in to a popular British song that we don’t know, but it calls for audience participation with the refrain, “It’s all about the music.” It certainly is as Ugo and I join our musically entranced brethren in dance.

After we’ve enjoyed the musical stylings of the All-Stars, we continue down the Queen’s Walk to Shad Thames, a narrow cobblestone street with its buildings connected by iron bridges and walkways. This is how the warehouse district looked in Victorian times where workers moved cargo like teas, spices and other commodities from boats and from warehouse to warehouse over the iron bridges inland to their destinations. It’s a wonderful place to take a photo, especially in the fading London light. From there we head to Bermondsey Street, which Ugo says is known for its good, off the beaten track restaurants. Except that when we get there, almost every place is packed. We walk up and down the street exploring the menus and we stop at Village East with a menu with a great range of dishes with chicken, fish, pork and beef, but sadly, they are no longer accepting diners in the restaurant and we are forced to sit in the bar area to have a burger. The hostess has however assured us that the burgers are good, even though I’ve heard on several occasions that Brits don’t know how to do a good burger. We take her word for it and give it a try. It turns out she was right. It was a perfect rare on focacia with watercress and a creamy white cheddar cheese. The fries, or chips as they call them, were pretty good too. Another great end to a great day in LondonTown.

 

Birthplace of BritPop and Rudyard Kipling’s Cave

Lonely Planet describes the Engineer as one of London’s first gastropubs. It is in North London and not far from where I am now, in Kilburn, so I decide to go for a late lunch. Ugo has gone to work and left me in her gorgeous, renovated flat. When I made it to her place this morning, she was entertaining a pair of guys who had just delivered a rug sample. They stood around it debating the size it should be cut and where it would be positioned. This was no ordinary rug. It was definitely a floor covering and eye-catching one at that. I could see why Ugo would want it as the centerpiece of her living area which was already stunning, featuring a beautiful bay window, honey hardwood floors and an original stained glass window. The rug, a cream, caramel and chocolate patterned piece, already looked at home. This is kind of Ugo’s thing. Her side gig is working as an interior designer (Check out Ugo’s work here: http://arinzehinteriors.com) and she says she’s setting up her place in London as her calling card. I wish I’d seen her place in DC.

Once the delivery men have been given their proper instructions, Ugo heads off to work and we make plans to meet later for dinner. But now I need lunch, so I visit one of London’s transportation sites and get directions by tube and by bus. I found myself in Camden Town in no time. The only problem was finding Gloucester Avenue where the pub was supposed to be located. No one I asked had heard of it or knew where it was. The walking map wasn’t the clearest, when I looked it up, but I thought it would be easy to ask around when I got close. So, I just wander around for a bit, past a couple a vintage stores, past a salon where a stylist was braiding another woman’s hair, past apartments that looked like public housing, Chinese restaurants, falafel shops. Gloucester Avenue unfound, I finally give in or maybe it’s my stomach telling me to give in. I go back to where I started near the Chalk Farm tube station and look at the menu at a bar and restaurant called Made in Camden. It’s next to what appears to be a concert hall that is hosting an iTunes festival with artists like Adele, Moby, Coldplay, Bruno Mars and Raphael Saadiq. It’s a nice place, but it looks like it’s even better later in the evening, especially filled with concert-goers. I pick up a leaflet about the event next door and read that I am practically dining in the birthplace of the British Punk Rock and Pop scene, the Roundhouse. Bands like the Ramones, the Clash and Patti Smith played here. The 90’s group Soul II Soul is from here and most recently the talented and tragic Amy Winehouse. So, I feel like I am where I supposed to be and settle in. An eclectic mix of music plays as I dine on a tasty leek soup, an Asian chicken tapa with gingered grapes with a side salad and sip a cider. It’s the perfect place to people watch. I see a group of teens gather for the evening’s concert and the sidewalk becomes a catwalk of London fashion.

The must have items if you are a teenage girl or a woman in your 20s are black tights worn under cutoff blue jean shorts or a miniskirt. These are likely to be paired with a tank top, cardigan and scarf or a cropped jacket. The tights may also be substituted for leggings so that you can wear sandals or open-toed shoes. I see the more fanciful and fearless side of London fashion down at the Camden Stables Market, a maze of vintage, punk, art and jewelry stores a few blocks away from the Roundhouse. There’s a guy with at least 20 face piercings and folks with hair dyed neon pink and green, all mixing in with the fashion forward and fashion challenged. The best find of the day for me is an accessories shop called Taloola owned by a lovely South African and Namibian woman named Rachel. She’s been in the market for a couple of years selling beautiful bead necklaces and jewelry from Kenya, South Africa and Namibia as well as leather bags and wallets from Morocco. She sources the items she sells directly from the people who make them in those countries including women’s cooperatives. Rachel is delightful, dressed in a blue patterned maxi dress and a matching blue wrap. She almost seems too elegant for the market. Her daughters are her models and show off her jewelry on placards in her shop. She tells me how she hated London at first when her husband first brought her to the city from South Africa, but her daughters fell in love with the place. We talked about traveling in Africa and I told her that I wanted to replace a necklace that I got in Senegal that broke recently. She helped me try on a few pieces and I ended up walking away with two necklaces and a new friend, hugging as we parted.

After more wandering through the market, it’s time to meet Ugo. We’d decided to meet at Covent Gardens, known as the place of the original flower market from “My Fair Lady.” Now, it is filled with street performers, tourists and Londoners on their way to the pubs. Ugo tells me of her path to London as we walk. She is in finance by trade and took a job as CFO of an architecture and design firm in London so that she could be closer to her creative passion for interior design. She seems to be happy with her move so far settling into the African community and finding the local tennis club. In Leicester Square, we are surrounded by London’s theater and arts scene, passing by marquees trumpeting “Much Ado About Nothing” and “The Lion King,” as well as high-heeled women and dress-suited men outside art gallery events. I mention Gordon’s Wine Bar, a spot recommended by another friend that once lived in London. In the process of navigating our way there, we see that the National Portrait Gallery is open for late hours and we step in to hear a DJ spinning funky tunes. We have to stop in the Tudor room to see portraits of Henry VIII and the doomed Anne Boleyn. A portrait of a stately-looking African man catches our attention amidst the sea of portraits of white men in powdered wigs. His name is Ayuba Suleiman Diallo and his portrait is Britain’s first of a slave turned freed man.

 Happy to have stumbled upon such a cool event, we move on to have a quick sushi dinner and then head to Gordon’s Wine Bar, which is down a narrow street lined with pubs and restaurants leading to the Charring Cross tube station. Its garden is packed with ruddy-faced Brits and we step inside the bar dating back to the 1800s, London’s oldest wine bar and once a Rudyard Kipling haunt. A wood paneled bar area proceeds a cave-like space, where even I have to duck a bit to enter. Tapered candles are its only light and people huddle together in intimate conversation. Ugo and I toast a lovely day with our glasses of wine.